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How To Combine 2 Pen Tool Points In Photoshop

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  14. Image repair and restoration
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  16. Drawing and painting
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    3. About drawing
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    5. Painting tools
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    12. Text Engine error using Blazon tool in Photoshop | Windows viii
    13. World-Fix composer for Asian Scripts
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  19. Filters and effects
    1. Use the Liquify filter
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  20. Saving and exporting
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    1. Photoshop 3D | Common questions around discontinued 3D features
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Path segments, components, and points

A path consists of i or more straight or curved segments. Ballast points marking the end points of the path segments. On curved segments, each selected anchor signal displays ane or two direction lines, ending in direction points. The positions of management lines and points determine the size and shape of a curved segment. Moving these elements reshapes the curves in a path.

Photoshop path segments

A path

A. Curved line segmentB. Direction pointC. Management lineD. Selected anchor pointE. Unselected anchor point

A path can be closed, with no beginning or end (for example, a circle), or open, with distinct cease points (for example, a wavy line).

Smooth curves are connected by anchor points called smooth points. Sharply curved paths are connected by corner points.

Photoshop Smooth point and corner point

Smooth point and corner point

When yous move a direction line on a polish indicate, the curved segments on both sides of the point are adjusted simultaneously. By comparing, when y'all move a direction line on a corner point, just the curve on the same side of the point as the management line is adjusted.

Photoshop Adjust a smooth point and a corner point

Adjusting a smooth indicate and a corner bespeak

A path does non take to exist one connected series of segments. It tin contain more than one distinct and separate path component. Each shape in a shape layer is a path component, as described by the layer'southward clipping path.

Photoshop Select separate path components

Separate path components selected

Select a path

Selecting a path component or path segment displays all of the anchor points on the selected portion, including whatever direction lines and management points if the selected segment is curved. Management handles appear as filled circles, selected anchor points as filled squares, and unselected anchor points as hollow squares.

    • To select a path component (including a shape in a shape layer), select the Path Option tool, and click anywhere inside the path component. If a path consists of several path components, only the path component under the pointer is selected.

    • To select a path segment, select the Direct Selection tool, and click one of the segment'south anchor points, or elevate a marquee over role of the segment.

    Photoshop  Direct Selection tool

    Drag a marquee to select segments.
  1. To select additional path components or segments, select the Path Choice tool or the Direct Choice tool, and then hold downward Shift while selecting boosted paths or segments.

    When the Direct Selection tool is selected, you can select the unabridged path or path component by Alt-clicking (Windows) or Option-clicking (Mac OS) inside the path. To actuate the Straight Selection tool when about other tools are selected, position the pointer over an ballast signal, and press Ctrl (Windows) or Command (Mac Bone).

Select multiple paths | Photoshop

Y'all can select multiple paths on the aforementioned layer or beyond dissimilar layers.

  1. In the Pathspanel, do any of the following to make the paths visible:

    • Shift-click to select contiguous paths.
    • Ctrl-click (Windows) or Command-click (Mac Bone) to select non-contiguous paths.
  2. Select the Path Selection tool or the Direct Selection tool and do any of the following:

    • Elevate over the segments.
    • Shift-click the paths.
  3. To select additional path components or segments, select the Path Pick tool or the Directly Choice tool, and so hold downwardly the Shift cardinal while selecting additional paths or segments.

    You can choose to work with paths in the isolation mode. To isolate simply the layer containing a path, with the path agile, double-click using a option tool. You can also isolate single or multiple layers past using the Select/Isolate Layers menu particular or past setting Layer Filtering to Selected.

    You can exit the isolation mode in several means, such as:

    • Turning off Layer Filtering
    • Switching Layer Filtering to something other than Selected
    • Double-clicking away from a path using the path selection tools

Reorder paths

You lot tin can reorder saved paths that are not Shape, Type, or Vector Mask paths in the Paths panel.

  1. In the Pathspanel, drag the path to the position you desire. In Photoshop, you tin select and elevate more than one path simultaneously.

Duplicate paths

  1. In the Pathspanel, select the path you desire to indistinguishable. In Photoshop, you tin select more than one path.

    • Alt-drag (Windows) or Option-elevate the paths.
    • Cull Duplicate Path from the panel card.

Specify path options

Y'all can define the color and thickness of path lines to accommodate your taste and for easier visibility. While creating a path—using the Pen tool, for example—click the gear icon () in the Options bar. Now specify the color and thickness of path lines. Also, specify whether y'all want to preview path segments as you move the pointer between clicks (Rubber Band upshot).

Path options: Thickness and Color

Adjust path segments

Yous can edit a path segment at any fourth dimension, but editing existing segments is slightly different from drawing them. Go on the following tips in mind when editing segments:

  • If an anchor point connects two segments, moving that anchor signal always changes both segments.

  • When cartoon with the Pen tool, you lot can temporarily activate the Direct Option tool so that you can conform segments you've already drawn; press Ctrl (Windows) or Command (Mac OS) while drawing.

  • When you initially depict a smooth point with the Pen tool, dragging the direction point changes the length of the management line on both sides of the point. However, when you edit an existing smooth bespeak with the Direct Option tool, you change the length of the direction line only on the side you're dragging.

Move directly segments

  1. With the Direct Pick tool , select the segment you want to adjust.

  2. Drag the segment to its new position.

Adjust the length or angle of direct segments

  1. With the Directly Selection toolselect an anchor point on the segment you lot want to adjust.

  2. Drag the anchor point to the desired position. Shift-drag to constrain the adjustment to multiples of 45°.

Suit the position or shape of curved segments

  1. With the Direct Pick tool,, select a curved segment, or an anchor point on either end of the curved segment. Management lines appear, if any are present. (Some curved segments utilize just i direction line.)

    • To adapt the position of the segment, drag the segment. Shift-drag to constrain the adjustment to multiples of 45°.

    Photoshop Click to select the curve segment

    Click to select the curve segment. And so drag to adjust.
    • To adjust the shape of the segment on either side of a selected anchor point, drag the anchor betoken or the direction point. Shift-drag to constrain movement to multiples of 45°.

    Photoshop Drag the anchor point or the direction point

    Drag the anchor betoken, or drag the direction point.

    Adjusting a path segment also adjusts the related segments, letting yous intuitively transform path shapes. To only edit segments betwixt the selected anchor points, like to earlier Photoshop versions, select Constrain Path Dragging in the options bar.

    You can also employ a transformation, such as scaling or rotating, to a segment or ballast point.

Delete a segment

  1. (Optional) If you're creating an opening in a airtight path, select the Add Anchor Point tool , and add ii points where you lot want the cut to occur.

  2. Select the Direct Selection tool , and select the segment you lot want to delete.

  3. Press Backspace (Windows) or Delete (Mac Bone) to delete the selected segment. Pressing Backspace or Delete again erases the rest of the path.

Delete the direction line of an ballast signal

  • Using the Convert Anchor Point tool, click the anchor betoken of the direction line.

    The polish point becomes a corner point. For more information, meet Convert between smooth points and corner points.

Extend an open path

  1. Using the Pen tool, position the pointer over the endpoint of the open path you want to extend. The pointer changes when information technology's precisely positioned over the endpoint.

    • To create a corner betoken, position the Pen tool where you want to terminate the new segment, and click. If you lot are extending a path that ends at a shine betoken, the new segment will be curved by the existing direction line.

    • To create a smooth point, position the Pen tool where you want to cease the new curved segment, and drag.

Connect two open paths

  1. Using the Pen tool, position the arrow over the endpoint of the open path that y'all desire to connect to another path. The arrow changes when information technology'due south precisely positioned over the endpoint.

    • To connect the path to another open path, click an endpoint on the other path. When you precisely position the Pen tool over the other path's endpoint, a small merge symbol appears side by side to the pointer.

    • To connect a new path to an existing path, depict the new path near the existing path, and then move the Pen tool to the existing path'southward (unselected) endpoint. Click that endpoint when you see the small-scale merge symbol that appears next to the arrow.

Motion or nudge anchor points or segments using the keyboard

  1. Select the ballast point or path segment.

  2. Click or hold down any of the arrow keys on the keyboard to motility ane pixel at a time in the direction of the arrow.

Hold down the Shift key in addition to the arrow key to motion 10 pixels at a time.

Add or delete anchor points

Calculation ballast points tin can requite you more control over a path or it tin can extend an open path. However try not to add together more than points than necessary. A path with fewer points is easier to edit, display, and print. You can reduce the complexity of a path by deleting unnecessary points.

The toolbox contains iii tools for adding or deleting points: the Pen tool, the Add Anchor Betoken tool, and the Delete Anchor Betoken tool.

Past default, the Pen tool changes to the Add Anchor Point tool as you position information technology over a selected path, or to the Delete Anchor Betoken tool as you position it over an anchor signal. Yous must select Machine Add/Delete in the options bar to enable the Pen tool to automatically change to the Add Anchor Point or Delete Anchor Point tool.

You can select and edit multiple paths simultaneously. You can also reshape a path while calculation ballast points by clicking and dragging as you add.

Don't use the Delete or Backspace keys or the Edit > Cutting or Edit > Clear commands to delete anchor points. These keys and commands delete the indicate and line segments that connect to that bespeak.

Add or delete anchor points

  1. Select the path you lot want to change.

  2. Select the Pen tool, the Add Anchor Point tool, or the Delete Anchor Betoken tool.

  3. To add an anchor betoken, position the pointer over a path segment and click. To delete an anchor point, position the arrow over an ballast point and click.

You tin can override automatic switching of the Pen tool to the Add Anchor Point tool or the Delete Anchor Signal tool. This is useful when you want to start a new path on top of an existing path.

  • In Photoshop, deselect Automobile Add together/Delete in the options bar.

Convert between smoothen points and corner points

  1. Select the path you desire to alter.

  2. Select the Convert Indicate tool, or utilize the Pen tool and hold down Alt (Windows) or Choice (Mac Os).

    To activate the Convert Indicate tool while the Direct Selection tool is selected, position the arrow over an anchor point, and press Ctrl+Alt (Windows) or Command+Option (Mac OS).

  3. Position the Convert Point tool over the anchor point y'all want to convert, and do one of the following:

    • To convert a corner point to a smooth signal, drag away from the corner signal to make management lines appear.

    Photoshop convert between smooth points and corner points

    Dragging a direction bespeak out of a corner indicate to create a shine indicate
    • To convert a smooth point to a corner bespeak without direction lines, click the polish point.

    Photoshop Click a smooth point to create a corner point

    Clicking a smooth point to create a corner signal
    • To convert a corner bespeak without direction lines to a corner bespeak with independent direction lines, starting time drag a management point out of a corner point (making it a smooth point with management lines). Release the mouse button only (don't release any keys you may have pressed to activate the Convert Anchor Signal tool), and then elevate either management point.

    • To convert a smooth point to a corner point with independent management lines, drag either management bespeak.

    Photoshop Convert a smooth point to a corner point

    Converting a polish point to a corner point

Adjust path components

You can reposition a path component (including a shape in a shape layer) anywhere within an image. You can re-create components inside an image or between ii Photoshop images. Using the Path Selection tool, you can merge overlapping components into a unmarried component. All vector objects, whether they are described by a saved path, work path, or vector mask, tin can be moved, reshaped, copied, or deleted.

You can also use the Copy and Paste commands to duplicate vector objects between a Photoshop image and an prototype in another application, such as Adobe Illustrator.

Change the overlap mode for the selected path component

  1. Using the Path Selection tool , drag a marquee to select existing path areas.

  2. Choose a shape area option from the Path Operations drib-downwards carte du jour in the options bar:

    Combine Shapes

    Adds the path area to overlapping path areas.

    Subtract From Shape Area

    Removes the path area from overlapping path areas.

    Intersect Shape Areas

    Restricts the surface area to the intersection of the selected path area and overlapping path areas.

    Exclude Overlapping Shape Areas

    Excludes the overlap area.

  • Choose View > Show > Target Path.
  • Cull View > Extras. This command also shows or hides a grid, guides, selection edges, annotations, and slices.

Motility a path or path component

  1. Select the path proper name in the Paths panel, and employ the Path Choice tool to select the path in the image. To select multiple path components, Shift-click each additional path component to add together it to the selection.

  2. Drag the path to its new location. If you lot motion whatsoever part of a path beyond the sheet boundaries, the hidden part of the path is still bachelor.

    Photoshop Drag a path to a new location

    Dragging a path to a new location

    If yous drag a path and so that the move pointer is over another open image, the path is copied to that image.

Reshape a path component

  1. Select the path name in the Paths console, and utilise the Direct Selection tool to select an ballast point in the path.

  2. Drag the point or its handles to a new location.

Merge overlapping path components

  1. Select the path name in the Paths panel, and select the Path Pick tool .

  2. To create a single component from all overlapping components, cull Merge Shape Components from the Path Operations drop-down menu in the options bar.

Copy a path component or path

Copy path components between two Photoshop files

  1. In the source epitome, utilize the Path Pick tool to select the entire path or the path components that you desire to copy.

  2. To re-create the path component, do any of the post-obit:

    • Drag the path component from the source prototype to the destination prototype. The path component is copied to the active path in the Paths panel.

    • In the source image, select the path name in the Paths console and choose Edit > Re-create to copy the path. In the destination image, choose Edit > Paste. You lot can also use this method to combine paths in the aforementioned image.

    • To paste the path component into the destination image, select the path component in the source image, and choose Edit > Copy. In the destination image, choose Edit > Paste.

Delete a path component

  1. Select the path name in the Paths panel, and click a path component with the Path Selection tool .

  2. Printing Backspace (Windows) or Delete (Mac OS) to delete the selected path component.

Marshal and distribute path components

You tin marshal and distribute path components that are described in a single path. For example, you can marshal the left edges of several shapes contained in a single layer or distribute several components in a piece of work path along their horizontal centers.

To marshal shapes that are on dissever layers, use the Move tool.

  • To align components, use the Path Selection tool to select the components y'all want to align. Then choose an choice from the Path Alignment driblet-down menu in the options bar.

Photoshop Alignment options

Alignment options
  • To distribute components, select at least three components you want to distribute. Then choose an option from the Path Organization driblet-down carte du jour in the options bar.

Photoshop Distribute options

Distribute options

Video tutorial: Tips for working with vectors in Photoshop

In this episode of The Complete Picture, Julieanne demonstrates five of her favorite features for working with vectors in Photoshop.

Source: https://helpx.adobe.com/photoshop/using/editing-paths.html

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